Kiana Hayeri und Mélissa Cornet – No Woman’s Land

Kiana Hayeri and Mélissa Cornet – No Woman’s Land

Index Detail  |  Image x 10 Images
01
Fatimah rejected a proposal to marry off her eight-year-old because of poverty. “He keeps coming back, but I won’t give him my child.” Kabul, February 7, 2024
02
Mannequins covered in plastic reflect the ban on showing any representation of women in public. Kabul, February 6, 2024
03
Despite the risks, this private school teaches 700 girls daily. They study in silence, leaving their bags at the gate, leaving discreetly, one by one. Kabul, February 17, 2024
04
Guests washing hands before lunch at a small birthday party. Even small gatherings become acts of courage. Kabul, February 23, 2024
05
A dress hangs inside an empty shop. A quiet metaphor for absence and longing in the city’s new silence. Kabul, February 28, 2024
06
In a hidden studio, girls study art. Instructors distract officials to protect the girls from punishment for painting. Kabul, February 24, 2024
07
Girls below grade 6 play during recess. Above that age, classrooms vanish, but learning continues in underground schools. Zibak, Badakhshan, May 08, 2024
08
Shahla, 21, is a radio host. “Even laughter was banned. But we fight back - girls call us to say we give them hope.” Kabul, April 22, 2024
09
Masooma (8) and Zeeba (9) play five stones while herding sheep. Badakhshan, May 08, 2024
10
Young women make traditional Badakhshi bead work in Faizabad’s women-only market. Zibak, Badakhshan, May 11, 2024
01020304050607080910